cool video for a cool song

la luz - call me in the day

dirty girls

if the code doesn't work, you can view the film here

La Luz live at Northern

Last night I left the coziness of my apartment - where I was happily reading Who I Am by Pete Townshend - to venture across downtown to catch a new girl group from Seattle called La Luz. They are a little hyped already and friends were sort of skeptical about them, the way people get when anything is hyped.

I looked them up and found their music to be pretty great sounding - a nice mix of surf guitar, reminiscent of Shadowy Men from a Shadowy Planet, and contemporary girl group singing that references Frankie Rose, Dum Dum Girls, Coasting, Vivian Girls, Best Coast, Bleached - what some call femme pop. It's arguable whether or not any of those groups should be put into the same category but I do sort of do that in my head. I think they all reference 60's girl groups as filtered through The Ramones and The Jesus and Mary Chain/ C86 but adding a very modern version of a 60's reverb/often digital lo-fi sound to the mix. (Of course each group I listed is different and genre is mostly arbitrary/problematic so keep in mind that all these bands can also be put into different categories with other groups that may or may not share their gender based on different aspects of their sound.)

Live La Luz was a bit awkward. They are solid musicians but seem the type who read music and may not have a lot of experience letting loose in a rock-n-roll group. Or something. I guess I would put them in the pop realm actually. More like The Fleetwoods or Jan and Dean than The Stooges or Velvet Underground. They were very clean-cut and wholesome in their image. I don't know if that is a conscious decision or not but it is something I noticed in their presentation. Because women are so often judged by our appearance I am hesitant to even bring up their use of style, but playing a show and being in a band, you do have a visual presentation component at work that is there whether you discuss it or not. Watching their show I couldn't really figure them out! They seem like "formalists" to me, which is kind of an indie thing where people are interested in working in a certain form or genre and exploring the formalistic elements of songwriting.

Before I went to see them I read an interview with them that rubbed me the wrong way. They made a remark about how they think they are better musicians than most girls in bands. They did pay lip service to the idea that being new to an instrument creates a rawness that you may not be able to achieve as you become a better player, but the remark still stung and hung in the air. I know what it's like to be in a new group and I know how interviews go but one thing to be aware of when you are a girl in a band is to try not to say anything in an interview that will give the reporter an opportunity to feed into sexist stereotypes about girls in bands. Essentially they gave the magazine a chance to reinforce the stereotype that girls can't play their instruments. If you are going to talk about musicianship, why talk about it in terms of gender at all? Also, it is a mistake to think that playing in a certain 'musician-y' style is somehow more difficult than another style. Playing a lot of notes for me is actually easier than playing just a few for example. But when I play too many notes people notice that I am a good drummer. However, I am often not serving the song or the group when I do that. Often what the song needs is just some simple beats on the floor tom. But then, I am into repetition and minimalism as an aesthetic choice.

After they were done playing I noticed my friends had left without saying goodbye. The same friends who had talked me into leaving my cozy apartment to join them at the show! I received a message on my phone explaining that the band was "Hallmark, blah blah blah". I don't know what that means exactly but maybe it's a reference to their visual presentation. The music was nice. I liked it a lot. I thought the drummer played too many notes but they compensated for this nicely with their vocal lines, which reminded me of Neu or Stereolab. Wavering between a few drawn out notes, the vocals achieve a nice droning affect. Harmonizing drove the tension through the song the way the drums normally do in rock-n-roll. The bass player used her fingers and was understated and solid. They had a new keyboard player who sang well, this was her first show with the group. The drummer seemed the most comfortable being on stage. Her drum set sounded fantastic, nicely tuned and played with the finesse of someone who has had lessons or played in high school jazz band. The singer/guitarist made an effort to rock out and smile and I enjoyed her warmth and graciousness towards the audience. She said this was their first show outside Olympia. They played a long set.

I don't know if I would go see them again but I will probably listen to their tape for years. I guess that sounding nice is enough to get me to listen but maybe not enough to get me to go to a show. I am left wondering what it means to be in a band in 2013. At the very least it is nice to see a group of young women collaborating together on a fully realized musical project.

old bridges

jigsaw's guide to ending the bar scene

1. Stop playing shows in bars when you can afford to - in other words - if you live in the NW don't play a bar here, demand to play an all ages venue instead. No excuses, please.

2. Stop going to bars you hate that you go to anyway because people you know will be there, Etc. There are other ways to be social and see your friends. If I go out to a bar for a drink it is ALWAYS at Ben Moore's because that place rules and if they went out of business Olympia would suck. When I go to The Reef it is for pie and coffee because that is what they do best. When I go elsewhere, reluctantly, I might have one drink but I might just have a cup of coffee and gorge myself on water or chips and salsa or something.

3. Make a point of supporting all ages shows by paying to attend them regularly. Do not try to get in free to an all ages show. Pay extra when you can afford it. Even if you are on the guest list. If there is a bar show and an all ages show on the same night, go to the all ages show before going to the bar show.

4. Try to spend large chunks of time NOT DRINKING on a regular basis - I celebrate sober February, June and October every year. For me this breaks the habit of drinking out of sheer boredom or whatever and goes along with a cleanse I do during those months. If you have trouble with this step there are resources that can help you quit drinking.

5. Start a regular exercise program that is goal-oriented. When you wake up early to run 5 miles on your day off you don't wanna be hungover (unless you are The Country Teasers, but that is another story). Likewise, you stop feeling tempted by happy hour after work when you know you have to be done at the Y before 9pm. Drummers are natural runners. We need to be in shape in order to play our best. Do it for the band.

6. Playing in a band, you end up at a lot of parties. As a general rule I try to limit myself to 7 drinks per week, which is pretty easy for me, except when touring in a band that plays bars/house parties every night. I am prone to drinking more than usual in social situations (the music scene, duh) where people drink a lot. I also have a lot of friends who are alcoholics (musicians, duh) so it started to seem normal to me to sit in a bar for hours. When I toured with The Old Haunts I made a rule where I had one drink before we played and one drink after. Every once in awhile I'd party (San Pedro comes to mind...) but I tried to keep it in check. As the drinking started to escalate on those tours I decreased my intake to less than one drink a day. I drink minimally nowadays - I'd say on average 2 or 3 drinks a week. I still like to celebrate birthdays and holidays and friend reunions with a party - but that's fine, parties are for SPECIAL OCCASIONS , remember? Like, hanging out in Spain or London on vacation or three day weekends or whatever. Not for everyday life. Everyday life is for writing songs and letters and reading books and going swimming and working on stuff. Creativity vs. destruction. We have to balance these forces.

7. DO NOT make the move from playing in a band to DJing in a bar. Nothing against DJing - it's just that I don't want to be a part of the reason why people come out to a bar to drink, EVER. DJ a house party, DJ your apartment, DJ the streets. Don't DJ in a bar (unless it's your job…but you know what? there are better jobs out there…) If you are a DJ-for-Life please make a point of DJing all ages events on a regular basis and please make a point of DJing sober on a regular basis. It sets a good example and it will keep you healthy and that will make you the best DJ you can be.

JIGSAW FANZINE SAYS:

END THE BAR SCENE NOW

BE GOOD TO YRSELF

DEVELOP HEALTHY HABITS

STAY CONNECTED

WELLNESS PUNKS RULE, OK???

DON'T DIE